The movie industry has always had its share of nasty characters.
During the making of The Island Of Dr. Moreau (1996), Val Kilmer
ruined a co-stars close-up by putting out his cigarette in the
cameraman's arm. On the set of Treasure Island (1934) Wallace
Beery was accidentally shot in the foot by Jackie Cooper with
a prop gun. The powder burns caused him to scream bloody murder,
and the film crew who hated him burst into applause. While directing
a dramatic scene in Dr. Jekyll And Mr. Hyde (1941), Victor Fleming
twisted Lana Turner's arm behind her back to get her to cry
in front of the camera. But the man in Hollywood who was most
famous for being mean was a juggler, comedian and writer named
William Claude Dukenfield (1880-1946), later shortened to W.C.
Fields.
Although they respected Fields for being a total original, even
his best friends thought he was a miserable old devil. Coming
from an impoverished Philadelphia background, where his father
used to hit him on the head with a shovel, W.C. thought he was
entitled to act badly. He would fire servants at a drop of a
hat, then rehire them and dock their pay for walking out on
him. He tried to kill a swan who swam near his Toluca Lake house
with a golf club until the fowl outmaneuvered him and chased
him back into the house. He said he would only play the role
of Ebenezer Scrooge, if he didn't have to repent at the end.
One December, Fields and Bob Hope were shooting the breeze in
the halls of Paramount Studios, when they were approached by
two charity workers. "Gentlemen, there are so many who
suffer during the Holiday Season. Could you see your way to
help them out?" Hope reached into his pocket and pulled
out some cash. But Fields said," I'm sorry Madam. I gave
all my money to the SEBF." After the disappointed Samaritans
left, Hope asked." Hey Bill, what's the SEBF?" "Screw
everybody but Fields!"
Fields was famous for his drinking, and while he was never falling
down drunk, alcohol didn't help his disposition. He was notorious
for carrying a flask on movie sets, claiming to interested parties
that it contained mere pineapple juice. One time a co-worker
stole it, emptied the contents and poured real pineapple juice
in it. Fields unwittingly took a swig and almost choked. "Whose
been putting pineapple juice in my pineapple juice?"
Another time Fields kept messing up his lines saying things
like," Charles Forbusher." "Bill stick to the
lines," said the Director. "What? Why you scoundrel.
Charles Forbusher has gotten laughs for years." After muttering
under his breath that," the fellow doesn't know what he
is doing," Fields seemed to get back on track, then blew
another line with an equally ridiculous name. Again he was rebuffed
and retorted angrily. It was whispered on the set that he was
drunk. It turned out that he received a bonus if he filmed past
midnight, which he accomplished after several more "screw-ups".
Sometimes Fields could use alcohol to get the best of a co-star.
In the film Tillie And Gus (1935), The Great Man was paired
with the three year old Baby Le Roy. As far as the curmudgeon
was concerned, the devil child was there to ruin his career.
During a break in filming Le Roy's mother was about to give
him some orange juice when Fields said,"Take a break dear
lady, I'll give the little nipper his juice." As soon as
the grateful woman was out of sight, Fields took out his flask
and spiked the orange juice with a generous helping of gin.
Later, when the poor child was stumbling around the set Fields
yelled," The kid's no trooper! Look at him!"
One co-star who would not put up with Field's drinking was Mae
West. During the filming of My Little Chickadee (1940) she insisted
that W.C. stay sober. "Don't worry, my dear. I'm on the
wagon." Field's idea of giving up drinking was trading
sherry for gin. Mae West found him out, and he was physically
carried of the set by crew members, suspended from the film.
Stuck at home he sat on the lawn drinking, became more surly
and started shooting at imaginary prowlers with a BB gun. This
caused extensive property damage for his neighbors. The local
residents responded by tossing empty whiskey bottles on his
driveway. Fields was certain that Director Cecil B. De Mille
who lived across the street from him was responsible. One night
he gathered the bottles in a bag, stood on De Mille's front
lawn and hurled them through the Director's windows. "Take
that and that, you sanctimonious knave!! Afterwards Fields had no more problems with unwanted garbage
on his property.
Never the biggest box office star, Fields was always jealous
of others in the industry. He called Charlie Chaplin a ballerina
and said he would like to strangle him with his bare hands.
Bing Crosby was a fine fellow, until W.C. worked with him and
then the crooner became an untrustworthy scene stealer. Fields
accused De Mille of being a hypocrite. He pointed out to any
who would listen that Cecil's moralistic films always contained
a great deal of sex and violence, including naked, leggy women
luxuriating in huge bathtubs. One night in 1943 De Mille knocked
on Field's door and said," Mr. Fields, we are having a
blackout in the neighborhood. I'm telling everyone to fill up
their bathtubs in case of a water shortage." The comedian
who had been drinking said," Not another of your bathtub
scenes, De Mille," and slammed the door in his face.
But there was a softer side to the mean old man. He always claimed
he hated children but he kept a picture of Baby Le Roy around
the house and wrote a part for the infant in one of his movies.
He told his servants false tales of gossip to spread distrust
among them, but was thrilled when they threw him a Christmas
party. In quieter moments he would praise the talent of De Mille.
And Fields was a patriot. When World War II started he had a
few drinks, then went down to the local army recruiting office
and volunteered to become a commando. "Did the enemy send
you?" was the reply he got.
When William was fifteen, he was on the road with a traveling
troupe of performers when the manager of the act disappeared
with all their money. It was the middle of winter, and he was
stuck in Kent, Ohio at the train station unable to buy a ticket
back to New York. The man behind the counter asked," Are
you an actor?" William nodded. "People don't trust
your kind." The young Fields who had committed acts of
larceny since he had run away from his father back in Philadelphia
said nothing. The ticket man came out from behind the counter.
"Listen son, here's ten dollars. Pay me back when things
are better for you." Shocked by such kindness in a cruel
world, William burst into tears. Two years later on Christmas
day the generous ticket man received a note thanking him for
his gesture with the original ten dollars, plus another ten
dollars in interest. It was all the money Fields had, so he
spent the Holiday in a soup kitchen.
Stephen Schochet tells Hollywood Stories on radio, audiobooks, tours and speaking engagements. To hear more tales go to http://www.hollywoodstories.com.
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